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Vol. 2, No. 2, November 1997 |
Architecture - Language |
Interpretation |
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Alberto
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Hermeneutics as Architectural DiscourseThis paper argues for a re-thinking of the role of history
in architectural theory. After two centuries of unsuccessful extrapolations of scientific
methods and frameworks for architecture, it proposes a radical reconsideration of our
strategies to "speak properly" in view of action. |
Claus Dreyer(Detmold) |
On Interpretation of ArchitectureWhen asked about the "meaning" of architecture,
one cannot avoid the use of language for interpretation: Without language architecture
cannot be understood or grasped." |
Aleksej K.
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Artistic Language of the Constructivistic Architecture in Russia and its Comprehension TodayThe conception of Functionalism, developing since the
middle of the 19th century, was based on the statement of independence of form and
function. Louis Sullivan, the ideologist of the "Chicago-School" of architecture
in the USA, had put this idea in a clear aphorism: "form follows function". The
classical triassic of Vitruvius - utility - strength - beauty - was replaced by a linear
dependency, going in one direction - from function to form. "Simplicity" and
"goal orientation" are basic marks of functionalistic architecture. Simplicity
of form also had a certain visual meaning. It became a transitional link, connecting
functionalism with one of the trends of European culture at the beginning of the 20th
century. |
Svetozar
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Architecture: Language for Monolog and DialogEpistemology of architecture, regarding its infomative-communicative potentials, demands for a distinction between the language of architecture itself ("talking" to human beings) and the language for a discussion about architecture. These two phenomenons though related are quite different and emerged from the everlasting dialog between human beings and their physical-spacial environment, being their own construction. The language of architecture in itself is totally based on the physical Gestalt of the object. At the same time it doesn´t exist outside the perceiving subject. This relates the language of architecture to a speechless, non-verbal language of emotions and associations of visual reminiscences. But even if it is subjective, it is at the same time in its architectonic form determined by parameters of geometry, material, composition and urban design as well as the leading axial guidelines of its time of construction and perception. The language for a discussion about architecture has a verbal basis.Therefore the scientific interest is not in structural particularities (seen from a linguistic perspective it develops within a distinct national culture and its scripture, literature and mass communication), but in typologies of relevant entities, such as its lyrics and the system of its axial orientations, its genre-specific forms, and the like. |
"Chiasmus" |
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Eduard Führ(Cottbus) |
Spaces
of a Piece of Art
Refering to a picture of Sol Le Witt the article will discuss the relationship between text and image, that is between speaking and seeing, in a phenomenological way. |
Maria Peters
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Written
Border-Walks"-
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Everyday Language |
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Anette Sommer(Cottbus) |
Architects´
Language - Users´ Language -
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(Kharkov) |
Architecture
as Communication
Studying the interactions of people with their physical-spatial
surroundings has shown the necessity for including the users of the environment (e.g.
communities, citizens, "a person from a street ") in the design process. C.
Alexander, R. Venturi and I. Friedman, for example, considered different variants,
involving future users in the design process. |
Achim Hahn(Bernburg) |
On Describing the Objects of DwellingThis article will try to illustrate objects of dwelling and
their description, both of which are framed by the pragmatics of dwelling.
"Pragmatics of dwelling" in this sense considers dwelling as an outcome of
dwelling, or the dwelling experience. |
Literality and Physicality |
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Kristine Patz(Berlin) |
Littera Pythagorae in ArchitectureThrough the 17th century there was consensus about Pythagoras having invented the Y in its double function as a letter and a signum. In discussing the letter Y as a signum, I do not simply refer to it as a letter, or as a Chiffre full of meaning, but as something independent of appearance. That is, the form with coded meaning, based on the visual Gestalt of the letter, as it was preserved under the term Littera Pythagorae or developed in this tradition. Script has lost its similarity with the objects; thus in the past only the hyroglyphical image script was considered to have such a similarity. The letter Y was a sign for human life, in the decisive point dividing virtue and vice, or, in salvation-history, separating salvation and damnation. Its form, similar to a tree, combined the meaning of the tree of life or of the cross. With the cornea (horns) of the tree and the fork, the Y gave meaning to additional forms -i.e. in the profession of building, the endings of an arch were called horns or corn(u)a-. This paper will concentrate on the letter Y and its architectonic, anthropomorphic and vegetabile imitations, as well as on its meanings in some chosen works of the Renaissance. |
Valentin
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Language and Myth in ArchitectureArchitecture organizes knowledge of space, which is
perceived as "real", but represented as "ideal". Its history abounds
with examples of sacral symbols and allegories, raising the architectonic form above
constructions. However, the mythological-poetical consciousness is concentrated on
"form" and "decoration". By separating form and decoration from
ritual, the professional development has substituted linguistics by aesthetics.
"Form", previously a subject of culture, thus becomes a product of technology.
Recent use of language in architecture demonstrates this technological aspect, where the
sensual experience of space becomes compressed into a "code", and contents like
"metaphor" and "symbol", deprived of sacral meanings, seem to be able
to master the tropes. |
Christian Katti(Berlin) |
Literality and Structure among Architecture and UrbanismIn this paper the given subject will be discussed as a complex exchange relationship, rather than a simple additive one. With this approach, one can identify an opposition of three disciplines, usually connected with this exchange relationship, namely art history, sociology, and philosophy, with three other disciplines, usually ignoring an understanding of this exchange aspect, namely semiotics, discourse analysis, and deconstruction. On the background of this scenario, the problematic relationship between architecture and urbanism will be unfolded and enlarged in considering the aspect of literality in architecture within a double role. Although trying to escape the category of being literal, architecture and urbanism form this double role, whenever clashing with a commonly used term". An attempt is made to theoretically outline this conflict and to stress the problem of literality in architecture with some examples. |
Susanne
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Architecture, Body, LanguageIn this article I want to talk about the relationships connecting architecture, body and language within the design process. The starting point is a statement given by the architects of COOP Himmelblau regarding their processes of finding and developing ideas. I would like to comment on this statement in three ways and, furthermore, put each comment into a historical context. The first comment will deal with the question of who is speaking during design process and what role the body plays. The second comment will focus on verbal impact, writing, and other ways which signify and describe bodies within the history of architectural theory. The third comment is an attempt to characterize recent relationship between architecture, body, and language. |
The essays are open to discussion for 6 months. Remarks, comments or criticism by readers can be added to each essay. The authors then may rewrite their essays during these 6 months of interaction with readers. After this period the articles will be frozen but still available in the net. The editorial staff keeps all rights, including translation and
photomechanical reproduction. Selections may be reprinted with reference: (
Wolkenkuckucksheim, Cloud-Cuckoo-Land, vozdushnyj zamok
>/theoriederarchitektur/Wolke<) if the editorial staff is informed. |
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Issue
1/96:Architecture in the Realm between Art and Everyday life Issue 1/97: Modernity of Architecture. A Critical Recognition |
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